After a long day away from our children, we parents are eager to hear all the details about how they have spent their time. However, so often our queries of “What did you do today?” are met with the same predictable response: “Nothing.” For children, distilling the many details and experiences of a full day at school into an anecdote or two is a tall order. What tools can we use to get them talking about their learning?

Vidigami

Through the Vidigami private photo sharing platform, you get to see moments of your child’s day at school. Viewing photos of your child engaged with Montessori materials can inspire great conversations. Children, especially those younger than five, are not yet able to summarize and describe the many things they experience over the course of a full and stimulating school day. However, photos offer visual cues that trigger a child’s memories and invite them to comment on specific materials and activities. There are many different ways to talk about these photos with your child, and we've provided some suggestions, which focus on your child's intrinsic motivation. Enjoy these special conversations as you allow them to teach you what they are learning at school.

• Ask your child to tell you about the photo. You may learn what they see in the classroom, or what they remember about the moment, and it may be much more than meets the eye.
• Say what you see without judgement. “I notice you are in the classroom.” “Do you know the name of that work?” “There are a lot of colors in your drawing.”
• Speak about their efforts instead of praising their product. “You really look like you are concentrating.” “Is that the first time you have done that work?” “I see your smile. What did you like about that work?” “Are you building with those blocks?”

Intrinsic Motivation

Listening to your child talk about the photos and speaking without judgement encourages your child's intrinsic motivation – it allows them to continue to work for their own sake, rather than for any praise from adults. As Montessori teachers, we get to witness this intrinsic motivation every day. It looks different at each age grouping and is a critical element to Montessori education. Many elements of the method foster intrinsic motivation without reward and judgement, such as control of error in the materials, allowing for repetition, assessment through observation, and relying on peers as sources of feedback and inspiration. Teachers try never to interrupt a concentrating child or judge their work. Instead, they seek opportunities for meaningful conversations before or after a student's work cycle.

As Montessori observed children, she saw time and time again the intrinsic motivation in the child to work through repetition for long, uninterrupted periods of time. In a book that examines Montessori’s relevance to today’s educational practices, "The Science Behind the Genius," Angeline Lillard refers to several current research studies confirming that rewards and punishments not only negatively impact intrinsic motivation, but also how a student performs on the task. Traditional reward methods used in most schools may actually hinder a child’s performance. Given the opportunity, children are capable of learning to take personal responsibility for their actions.

“Like others I had believed that it was necessary to encourage a child by means of some exterior reward that would flatter his baser sentiments … in order to foster in him a spirit of work and of peace. And I was astonished when I learned that a child who is permitted to educate himself really gives up these lower instincts.” – Dr. Maria Montessori

As a Montessori school, we believe deeply in educating the whole child: their academic, psychological, critical-thinking, moral, and social-emotional selves. In addition to the academic lessons and works your children are engaged in daily, our teachers and staff are also guiding your child through other very important lessons to help them with their moral and social-emotional development. For example, teachers give explicit lessons related to grace and courtesy, facilitate discussions at the peace table, and encourage collaborative work and play daily.

And, it turns out, research from our School confirms that we are doing this pretty well …

The Gratitude Project

We recently worked with Professor Jonathan Tudge and his team from the University of North Carolina at Greensboro ("UNCG") to study the development of gratitude as a virtue. As a virtue, gratitude goes beyond a positive feeling when something good happens. Virtuous gratitude is a disposition to act gratefully when someone else does something nice for you. Dr. Tudge explained it to me this way: “Saying 'thank you' is polite, but hardly a virtue. What makes gratitude a virtue is when beneficiaries of good deeds or significant help want to do something back for their benefactor if they have the chance to do so. That first act of generosity, followed by grateful reciprocity, leads to building or strengthening connections among people.”

In previous cross-cultural research, Dr. Tudge and his team found that most children develop this type of gratitude between the ages of 9 and 13, although the age differed depending on the cultural context. In their study, children in the United States developed virtuous gratitude at later ages than other cultures. Keeping this in mind, Dr. Tudge decided to target a new intervention designed to encourage the development of gratitude within adolescents.

Dr. Tudge and his team came to our School to explore this intervention. After working with our Upper School students, they stumbled upon a ‘good’ problem with their research: far more Greensboro Montessori School students exhibited virtuous gratitude than they expected. Our Upper Elementary and Junior High students expressed gratitude at much higher rates (67%) than did children in non-Montessori settings in the United States (46%). In addition, our students were almost twice as likely to express autonomous moral obligation (79%) than were children in non-Montessori schools (44%). Defined originally by Jean Piaget, autonomous moral obligation is a decision-making framework whereby moral decisions are made based on intrinsic motivations to do the right thing.

Dr. Tudge and his team were puzzled by these anomalous findings. Why did our students score higher than other American children, even when compared to other well-regarded private schools in the Greensboro area? And how are these findings related to Montessori pedagogy and culture?

Gratitude in the Montessori Classroom

In our discussions with Dr. Tudge, we discussed the way Montessori teachers prepare the environment to communicate honor, respect, and gratitude to the child. We also described the ways in which our teachers model gratitude and respect when they speak and interact with their students. In time, this becomes our students' definition of "how it's supposed to be.”  In addition, we delineated how our grace and courtesy curriculum creates both a framework for community interactions and a schoolwide culture of character.

In collaboration with Dr. Tudge and his team, I presented the results from our Upper School students’ involvement with Dr. Tudge's gratitude study at the Association for Moral Education’s annual conference in Seattle, Washington.

In the presentation, we hypothesized that our students' high rates of gratitude could be due to several specific tenets of Montessori philosophy:

• Specific lessons about grace and courtesy provide explicit guidance on character development from a young age.
• Daily practice of grace and courtesy increase opportunities for proximal processes related to virtue development.
• Mixed age groupings of children may expose younger children to older children are further along in virtue development.
• Peer interactions encouraged from toddlerhood may increase opportunities for the development of mutual respect.

Dr. Tudge and his team also did some work with our Lower Elementary students. Tudge’s team again noted that so many of even these younger children (aged 6 to 9) expressed virtuous gratitude. Dr. Tudge reflected: “We think that this must say something about the character-based focus of the general Montessori curriculum, because a far greater proportion of Greensboro Montessori School children expressed gratitude than elsewhere.”

Character Education at Greensboro Montessori School

Overall, the results suggest that a Montessori environment is conducive to developing virtuous gratitude and autonomous moral obligation. These results – while surprising and interesting to the UNCG team and other researchers and educators at the Association for Moral Education conference – are not really that surprising to us. Focusing on strong character education is a key tenet of Greensboro Montessori School. A deep respect towards classmates and other people is so integral to our culture that it's not that surprising our Elementary and Junior High students authentically take their sense of gratitude to a level beyond just saying “thank you.”

My very first year at Greensboro Montessori School, I worked alongside a wise and wonderful teacher, who is also my Montessori mentor. As our year together progressed into late spring, she suggested we teach a unit on the life cycle of the monarch butterfly and sent me afield to pick up a caterpillar tent from a local butterfly farm. It was a curious-looking contraption: a flowering milkweed plant with a gauzy covering. A week into our journey with this kit, my mentor had a family emergency that took her on an unexpected trip overseas ... for four weeks. At a moment’s notice, I found myself entrusted with the care of 12 children; one gerbil (my mentor knew I didn’t do rodents); a ragtag tray of fava beans sprouting in paper cups; and this milkweed plant, the presumed setting for the miracle of metamorphosis. That is, if I could keep it alive. It didn’t take long for me to realize that with this lowly plant came some extraordinary lessons in faith, respect, awe, tenderness, and trust.

For those uninitiated in the art art of raising caterpillars: they take a while to become visible. A long while. Though we’d been promised that our plant came with a pair of Monarch eggs, those first two weeks rolled by with nary a sighting of the little beasts. Every day we checked for them, and every day I saw the skepticism grow in my students' eyes as I described the wondrous sight we were going to behold. Probably. Eventually. The morning we finally noticed wormholes in the leaves — evidence that our charges were indeed hatched and hungry — felt like waking up to breakfast in bed on your birthday.

Once our caterpillars became visible, they grew at a blazing speed, delighting the toddlers with their impossibly lovely stripes and ravenous eating habits. The students relished the idea that these creatures never, ever accepted any food but milkweed. “Wouldn’t you like some pizza, dears?,” I’d ask the worms. “Maybe a nice cup of coffee?” The children would squeal, “NO WAY!,” perhaps reminded of their own choosy appetites. An assortment of suggested names were bandied about, ranging from Lexy to Tiger to Dobo to Burp. (The caterpillars didn’t seem to have a preference.)

One sunny morning, we found the caterpillars hanging from the leaves in their mysterious “J” formation, the behavior that immediately precedes the formation of the chrysalis. Within hours, they were caterpillars no more. If I had not seen it with my own eyes, I could never have imagined the reverence and care the students extended once this transformation had taken place. They seemed to instinctively know their tiny pets now needed silence and space. Each morning, the toddlers took turns standing guard by the milkweed plant, gazing solemnly at the astonishing beauty of the chrysalises, misting them gently with a spray bottle. Many days of inaction followed ... yet, having awaited their friends’ first emergence, the students now had unwavering patience and faith. Some miracles, they’d learned, are worth waiting for.

When the butterflies emerged during the last week of school, we carried them to the playground and prepared to set them free. Before they departed, they allowed each and every toddler to hold them awhile and sing them a send-off song (the choice was painfully obvious: “Let it Go”). When the monarchs finally took to the sky and fluttered toward the Primary garden, I knew the students and I were feeling the exact same mix of elation and heartache. After all, many of our toddlers themselves would soon be flying to the other side of the playground fence, away from the nest of our classroom and our many loving days together.

Six years later, having raised monarchs with every single toddler class I’ve taught since that first year, it’s time for my own metamorphosis. I am so excited for the new challenges and relationships that await me as I transition into the director of CASA role at Greensboro Montessori School. Yet there’s something about teaching that simply can’t be matched by any other profession. Year after year, I’ve witnessed the beautiful metaphor of little children caring tenderly for the tiny, fragile caterpillars whose lives begin in our classroom. I hope that’s in small part because they, too, have felt tenderly cared for here; that they understand the reverence and awe a teacher experiences as they watch their students grow, and the bittersweet pride they feel when it’s time to set their students free.

This year, when our current crop of monarchs depart for the great big world outside, we’ll all be ready to spread our wings and join them, together, in flight.

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About the Author

Brooke Juneau joined Greensboro Montessori School's Toddler faculty in 2013. She holds her Infant & Toddler (bith to 3 years old) Montessori teaching credential and graduated from Hampshire College with a Bachelor of Arts in education and human development. Brooke is the mother of three boys. Her middle son, Hayden, graduated from Greensboro Montessori School in 2017. Brooke plays the guitar and loves singing with her students. Beginning in the 2019-20 school year, Brooke will be the School's director of CASA.

“Layer it and layer it and layer and layer it, and layer it, and layer it, Compost Cake!”
“Turn it, and turn it, and turn it, and turn it, and turn it, and turn it, Compost Cake!”
“Pile it high, pile it high, pile it high, Compost Cake!”[dt_sc_hr_invisible_small]
If you’ve heard this song about compost all around campus this fall and winter, it’s because we got new compost bins in the Primary and Lower Elementary gardens! Why did we get new bins, you might ask? Two reasons:

1. We needed more space for the volume of organic waste we produce (a combination of garden waste and food scraps from the students' lunches and snack preparation)
2. We wanted to try a more interactive, faster, and developmentally appropriate compost model for our younger students.

So what did we get? If you visit the Primary and Lower Elementary gardens, you’ll see some giant green cylinders sitting on a rotating axis. These compost bins are called tumblers. Tumbler compost models allow students of all ages to spin the compost (working those gross motor skills), in addition to speeding up the composting process. In our old bins, it took at least a year for our food waste and garden scraps to decompose fully, we'll make finished compost in as little as two weeks. Cheers to that!

What is Compost?

Compost is the product that’s left after organic matter has fully decomposed. It’s also called humus. Human-made compost comes from carefully mixing food and garden waste materials — ingredients high in either nitrogen or carbon — and placing them in an environment where they can decay. When the decaying process has gone well, we put the finished compost, or humus, back into the garden soil and grow healthier plants by improving soil fertility.

Why do we compost at Greensboro Montessori School?

For starters, compost has a longer ground-life than other fertilizers. It lasts longer in soil than crop residues or animal manures that degrade rapidly here in the humid Southeast. This longevity makes for healthier plants and food crops. Composting also reduces our waste throughout campus. By diverting organic matter from the landfill and into a closed-loop cycle, we transform our “waste” into a fertilizer for our gardens and food for the microorganisms that live in the soil beneath us. We also save money by eliminating the need and associated cost of additional soil fertility inputs. And let's not forget, composting is just plain fun!

Can you think of any other reasons to compost? Maybe, that by doing it, we are feeding the worms our Toddlers so adore? That it’s a responsible use of resources? That it's a project-based way to teach science? Share your thoughts with us! And, if you want to learn more, please join us at our next Community Garden Workday for more composting tips and tricks with our environmental education faculty. We’d love to have you.

If you're interested in learning more about the science of composting, read this article from Live Science.

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About the Author

Eliza Hudson is Greensboro Montessori School's lead environmental educator. Eliza holds her bachelor's degree in biology from Earlham College in Richmond, Ind. She has built and tended school gardens, taught hands-on cooking lessons and connected local farms to school programs working for FoodCorps. Prior to joining Greensboro Montessori School in 2014, Eliza was a classroom and after-school assistant at the Richmond Friends School, a farm intern at a family-owned farm in Ohio, and served as assistant director at a summer day camp in an urban community garden in Durham.

Greensboro Montessori School has taught environmental education since 1995 and has been permaculture gardening on its campus since 1997.

Within the three-year cycle of Lower Elementary (first through third grades), students and teachers spend one year studying the fundamental needs of humans. This theme is woven throughout their curriculum and students embark on relevant research projects providing purpose and context for their learning. Over the year, the students learn why food, water, shelter, clothing, art, and community are necessary for humanity and how these needs have remained consistent throughout our time on Earth.

One of the ways our students share their growing knowledge of human civilization, and our most basic needs, is through their Festival of Light presentation. Students read the book “Celebrations Of Light : A Year of Holidays Around the World” by Nancy Luenn. The book is a springboard to research projects centered on 12 countries and the light-themed cultural celebrations that both define and unite them. It provides exposure to the diversity of our world while simultaneously highlighting how light brings people together.

Students form teams, each taking one of the 12 countries and its respective celebration. From there, they delve into the history of the country, its culture, and the celebration. They study some of their nation’s accomplishments, art, food, geography, religion, storytelling, traditions, and writings. All of this research prepares them to participate in Greensboro Montessori School’s triennial Festival of Light.

The Festival of Light features all of our Lower Elementary students in an evening presentation for their families, faculty, and members of the greater school community. Each of the 12 teams prepares a narrative on their country’s celebration of light. The celebrations include:

• New Year's Eve in Brazil
• The Chinese New Year
• The Lantern Parade (Eid al-Fitr) in Sierra Leone
• Lichtmesdag in Luxembourg
• Buddha's birthday in Korea
• Bon Matsuri in Japan
• Diwali in India
• Loy Krathong in Thailand
• Hanukkah in Israel
• Luciadagen in Sweden
• Christmas in the United States
• Las Posadas in Mexico
• Kwanzaa in the United States

The presentation itself anchors our students’ research in purpose and provides these first, second, and third graders with a nurturing and challenging academic experience. Surrounded by their families, friends, and teachers, students share their knowledge in a safe space where they will be celebrated for their work. The Festival of Light also challenges our students by pushing them to develop and expand their public speaking and presentation skills in new ways.

When the last celebration has been presented, the audience chairs have been put away, and the families have left for home, there’s no doubt our students have been part of an educational experience. One that has taught them about the fundamental needs of humans, community, teamwork, and so much more.

If you were lucky enough to be at Greensboro Montessori School last Thursday night, or with us via the livestream, you were treated to quite a show! Simply put: our fourth, fifth, and sixth graders' 17th annual Fare Faire production, “Back to Families Feudal,” was fantastic: high-quality, well-researched, technically sound, aesthetically powerful, and laugh-out-loud funny.

Fare Faire is a rite of passage for Upper Elementary students at Greensboro Montessori School. This annual theatrical production integrates students’ language arts, history, and performing arts curriculum. As students learn about the medieval historical period, they also read related literature and work together to bring a story to life on stage. The name, “Fare Faire,” is a creative play on words which highlights the communal meal Upper Elementary students and their families enjoy before the student-led performance - this year the potluck dinner of years' past gave way for a sweeter dessert feast.

And with all this work, all this project-based learning, all this technical and logistical demand of putting on a 31-person theatrical production, I have to ask: where were the teachers? I barely saw them all night.

I heard Cathy Moses and Tessa Kirkpatrick may have been backstage to reassure a few worried students or help with a tricky transition; and I saw Jonathan McLean and John Archambault lingering over at the light and sound board, and even once saw them each use the spotlight, but I think it was only because the sixth grader running the sound board told them what to do. The rest of the time, I saw the teachers pretty much relaxing and enjoying the show, sometimes just leaning against the bleachers or even sitting in the audience. When I complimented them on the show, they said, “Yes, the students did a great job.” While I cannot underscore the intense, long, and passionate hard work the faculty have put in over the past three weeks, one thing was crystal clear Thursday night: the teachers were not in charge of this show. The students were.

In my 20 years of independent school education, I’ve seen plenty of wonderful “student-led” productions. But not until our very own Fare Faire, have I seen a show so incredibly run by the students. When we walked into the Gym, it was a student decorations manager who had transformed the space into a medieval stage; where there was a line forgotten, it was a student director who whispered a line; when there was a costume glitch, it was the student costume manager who responded; whenever someone missed a cue to come on stage, there was a student stage manager giving them a gentle shove onto the stage; or when one of the mics crackled, it was the student sound manager who adjusted the board settings.

Sixth graders have the opportunity to step into leadership roles for the production. Stella and Mahinda were the directors. Leila the stage and decorations manager. Whitley was in charge of costumes, while she and Stella also worked with Jillian Crone to spearhead marketing for the show. Andrew was in charge of sound and lights, while Mohamed was in charge of microphones. Dalia was in charge of props, and Kylee in charge of photography. Leading their fourth and fifth grade peers in producing Fare Faire is a capstone experience for these students. They had been preparing for that responsibility and honor all throughout the first two years of their three-year cycle.

Our three-year Upper Elementary program has always delivered a strong and unique learning experience for our students. Building on the Montessori skills and foundations that have been developed throughout the Primary and Lower Elementary divisions, our fourth through sixth graders are empowered to come into their own as they transition to the Upper School. They take responsibility for their learning in real-life applications; they develop all the academic and social-emotional skills they need to thrive in life; and they learn who they are and how they will step into the world. It is a critical time in the students’ development. And it is big work.

And that big work is guided by a group of inspired and hard-working “teacher-guide-people,” as the faculty sometimes call themselves. Each subject matter experts themselves, they know that so much of the Montessori approach is correctly and carefully setting up the prepared learning environment to guide the students to their own success. With most traditional schools, and even some great schools that try to be more innovative, the model is teachers as the "sage on the stage," filling students with facts and information; not at our school. It is teachers as guides, teachers as inspirers, teachers as coaches, and teachers as expert listeners, researchers, and observers to see what each and every student uniquely needs.

So, where are the teachers?

They are there, every single step of the way, knowing how to both nurture and challenge, knowing how to inspire and empower students to do the work themselves, and knowing when to step back and let the students take ownership and responsibility for their own work, for their own success, and for their own theatrical production, as was the case during the simply fantastic Fare Faire production on a recent and chilly Thursday night in January.

Springtime is always joyful in Greensboro Montessori School's organic gardens. Winter buds swell and burst, capturing the eyes and hearts of community members, no matter their age! Flowers of all kinds call to us and to our pollinator friends, and sooner than we realize, we reach the height of the season.

This year brought a colder and wetter forecast than in the past. We’ve still yet to harvest our first sugar snap peas, but the strawberries and spinach are out with a vengeance! We continue to enjoy the lushness all the early rain and cool weather brought, even as temperatures rise. Here’s a brief update from our spring adventures!

Primary and Lower Elementary have enjoyed plenty of weeding, watering, planting, and tasting. We just finished a week full of strawberry spinach salads, with a bit of fennel and spring onions thrown in for fun! (Check out the recipe below if you’re interested in trying this at home.) In Upper Elementary, we celebrated the conclusion of our Student Climate Change Summit art exhibition with a persimmon-ginger-honey ice-cream party! Everyone agreed it was fun to make and even better to taste!

Thanks to everyone who attended our Spring Community Garden Workday in the Primary Garden. Together, with roughly 20 volunteers from our school community (ranging in age from 18 months to 70 years old!), we had a blast and accomplished a swath of projects:

• A group of students and dads built a blackberry trellis.
• Sara Stratton supervised several painting projects: our new fence, sink, and picnic tables got all glammed up in a matter of minutes!
• Another dad mixed concrete, which every child who came to the workday used to make a decorative stepping stone.
• Nearly everyone weeded, watered, snacked, swept, and generally left the space looking wonderful for the students, faculty, administration, and all the special guests we welcome in the spring!

What else have we been up to in the organic gardens this spring? We have been incredibly blessed with the generosity of The Fund for GMS. You may have noticed several new Adirondack chairs, benches, swinging benches, outdoor sinks, and chalkboards in all three of our organic gardens. We also have a new Lower Elementary toolshed coming soon. The students have relished in these new additions to their outdoor classrooms, and we couldn’t be more grateful to have such gifts shared with us from within our school community. Thank you, for your continued support of environmental education at Greensboro Montessori School. From all of us on your environmental education teaching team, Happy Spring!

Strawberry Spinach Salad

For the salad:

• 1 pound fresh spinach, washed and spun
• 1 pound fresh strawberries, washed and dried
• 2-3 spring onions, optional
• 2-3 leaves fennel, minced

For the dressing:

• 1/4 cup olive oil
• 1/8 cup balsamic vinegar
• 1 tablespoon honey
• 1 pinch cinnamon

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About the Author

Eliza Hudson is Greensboro Montessori School's lead environmental educator. Eliza holds her bachelor's degree in biology from Earlham College in Richmond, Ind. She has built and tended school gardens, taught hands-on cooking lessons and connected local farms to school programs working for FoodCorps. Prior to joining Greensboro Montessori School in 2014, Eliza was a classroom and after-school assistant at the Richmond Friends School, a farm intern at a family-owned farm in Ohio, and served as assistant director at a summer day camp in an urban community garden in Durham.

Greensboro Montessori School has taught environmental education since 1995 and has been permaculture gardening on its campus since 1997.

Greensboro Montessori School's Junior High student council members usually plan three dance parties a year, one each in the fall, winter, and spring.  Whether an upcoming dance is your child's first or they have attended these kinds of functions before, we have some details to help you plan ahead.

When: Greensboro Montessori School dances are on a Friday night from 7 to 9:30 p.m.

Where: Dances are hosted in Greensboro Montessori School's Gymnasium

Who: Attendance is limited to currently enrolled students in grades six through nine. In general, students may not bring guests from other schools. In some instances, Greensboro Montessori School has invited other independent schools in the Independent School League to attend dances, but this is the exception to the rule.

Attire: Students may choose to dress up or wear regular clothing. Attire must follow Greensboro Montessori School's dress code. We ask all attendees to wear soft-soled shoes that will not scuff or leave marks on the gym floor.

Chaperones: All dances are chaperoned by faculty and staff from Greensboro Montessori School. On the night of the dance, parents may drop-off their child at the Gymnasium entrance at 7 p.m. and return at 9:30 p.m. when the dance is over.  The School always provides the name and cell phone number of at least one chaperone in a personal email to parents.

Cell phones: Students are permitted to bring cell phones to dances.

Entrance Fee: Students pay $5 cash at the door to attend dances.

Music: All Greensboro Montessori School dances have a DJ who is a current student. They develop a playlist based on student requests and submit this playlist for review by their faculty advisor. The faculty advisor reviews the list for content and language and approves only those songs which are age appropriate.

What do you love in the world and think is worth preserving?

Upper Elementary students wrestled with this important question during their class project for the Green and White Bash silent auction. My daughter, Stella, is a student in the Upper Elementary classroom, and I was privileged to assist the children in transforming two blank puzzles into a lively mixed media college. Since the Bash’s theme was “sustaining our future” through the funding of student scholarships and staff professional development, I thought it would be fitting for the class project to address this idea of sustainability. So, I asked each student to design a single puzzle piece that identified their own personal junction of love and preservation. All the pieces joined together to form a single, unified collage.

The project turned out to be both intellectually and artistically challenging for the class. Some of the students needed clarification on the question and took extra care to reflect on the conceptual differences among sustainability, preservation, and conservation. Others thought of multiple ideas and found it hard to choose a single focus for their piece. They would sit in thoughtful silence, rifle through magazines for inspiration, or simply run off to do something else, planning to return later. For other children, the process was easier and they settled into their work instantly. Regardless of how quickly their work progressed, it was humbling to witness the moment when each child’s idea clicked into place. You could sense the wave of clarity and purpose wash over them as they set themselves to task. They would sift through the huge pile of assorted collage papers and magazines and dig through buttons, cork, sequins, pom pom balls, threads, beads, and other odds and ends to find the perfect color, texture, or imagery to convey their idea.

The students’ approaches to composition varied as dramatically as their themes. Some enjoyed working very flat, while others preferred a more 3D composition. Some students chose clipped images and text, while others wanted to incorporate their own drawings. Some designed beautiful miniature scenes of forests and picnics, while others worked more conceptually and built up layers of interest. Each piece was transformed into a unique and carefully crafted work of art.

After the last student finished, I packed up all of the supplies and took everything home to (literally) put the pieces together. As I assembled the individual pieces into a finished collage, I was amazed by how well the variety of themes and designs worked together. Thirty-seven distinct responses to a single question had morphed into a microcosm of our beautiful, crazy modern world. Elements of nature (birds, oceans, trees) wove through interpretations of social life (family, friends, holidays) and modern living (technology, medicine, Disney). The Upper Elementary class project about sustainability had become an ecosystem of gratitude and hope for the future, where nature merges seamlessly with people, technology, and traditions: very much like a day at Greensboro Montessori School!

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About the Author

Gina Pruette is a parent and regular substitute teacher at Greensboro Montessori School. In addition to her commitment to the School, Gina is an active volunteer within the greater Piedmont Triad community where she leverages her expertise in marketing and events planning, fundraising, and tech solutions to further the missions of various nonprofit organizations. Gina recently completed Racial Equity Training through the Racial Equity Institute to strengthen work with diverse populations, and she holds a bachelor of arts from the University of Pennsylvania.

Greensboro Montessori School's mission is to nurture children to be creative, eager learners as they discover their full potential and become responsible, global citizens.

We recently sat down with Upper School Faculty member, Jonathan McLean, to learn more about Greensboro Montessori School's Junior High Music Ensemble. Here's an edited transcript of our conversation.

Q: What exactly is Music Ensemble?

A: We have a lot of students who want to play a lot of different things or perform a lot of different [types] of music ... anyone from somebody taking violin, to taking piano, to taking singing lessons, to just hanging out at home banging around on the piano. To follow the child - and the best thing for each child - I've found is the Music Ensemble, which is just a big band.

Q: Is Music Ensemble part of students' regular coursework, or is it an elective?

A: The closest thing it's to is an elective. Certain people are required to be in it. If [a student is in] my Creative Labs class and they are always [applying] for positions for composers or being in the band, then yes, it's a requirement they have to be in Music Ensemble. They give up one of their independent studies, which makes it like an elective, and come in [the studio] and rehearse.

Q: How often do you rehearse?

A: One class block every week, which is an hour and fifteen minutes, which is barely enough. But it is Wednesdays. We loose [lots of Fridays and Mondays] every year for [teacher workdays] and national holidays. That's why I put it on Wednesday, so we lose fewer of them. We also have dress rehearsals and sound check rehearsals before any show, [which would] be on a Saturday or Sunday usually, or right after school.

Q: Who can participate in Music Ensemble?

A: Anybody that's already had at least a year’s worth of lessons on a instrument, because Music Ensemble is not for me to teach you how to play an instrument. Creative Labs, actually, is [when] I can spend some time showing a student some stuff about how to play an instrument and then get a student hooked up with an after-school or out-of-school teacher. [Music Ensemble] is an advanced music experience, and the student needs to have already made a commitment to learning an instrument. Vocalists are taking voice lessons, and some have also taken lessons on piano.

Q: Are your vocalists also taking voice lessons?

A: One, two, three. Three of them are. One of them is not. Two of them have taken lessons on piano and have switched to vocals. Once you learn an instrument, particularly piano (because if you go off to music school everybody has to take Piano 101, it's like English Composition 101 to be a writer), you can play pretty much anything.

Q: What is the age range of your current Music Ensemble?

A: 12 through 15, [but we currently have a guest drummer] who is in fifth grade. The [typical] grades are seventh to ninth ... I invited him [to join] for two reasons. One, he's a student of mine, and he's highly advanced for his age. He could play in any band and make money right now if he wanted to. He practices with me once per week and also at home. [Two,] all my drummers graduated. It was an advantageous moment.

Q: What is the single greatest lesson your students take away from working in Music Ensemble?

A: That’s easy. Working in a band is working in a group. When you do group projects in the classroom, how do you assess how much each person is carrying their weight if it's an outside project? We don't know how to do that right now. In class though, it's a little easier ... but in a band, if you are not carrying your weight, everybody knows it. There is no calling somebody out and being unfair and them saying, "No, I know my part." No, you don't, because we have to stop because [someone's] part is wrong, and I don't mean that in a harsh way, it's just one for one, like math. It's either right or wrong. It's either in tune, on rhythm and in the right spot, or it's not. That's the single most important lesson: you cannot hide in a group.

Q: How long have you been teaching Music Ensemble?

A: Music was one of the first things I did when I got to Greensboro Montessori School [in 2002]. The middle schoolers were revolting against the traditional class where students are learning music on recorders playing from the same book I used when I was in Junior High. You have to do something current for adolescents to get engaged. So when you immediately say the word “band,” they want to play.

Q: What have you learned teaching Music Ensemble?

A: The first lesson I learned was the drawback to individual lessons. I think that all people who [teach] individual lessons should have some sort of network where they get their students together to play in an ensemble or a band. I would get a full band together [at Greensboro Montessori School] and each student may have had 2 to 3 years of lessons on their given instrument, and we'd start the song, and we'd play through it, and it would just be cacophonous and terrible. If you just pulled [each musician] out magically and just listened to them, they would nail the song, but they had been taught in a vacuum. As long [as a student thinks they're] playing the song correctly, they're not even tuning in to the other members of the group. So that goes back to the step above learning to work in a group. One, you can tell who is not carrying their weight, but two, its awful, its not pleasant. To teach you to tune into that goes into all the other stuff about brain development and mathematics and what music does to your brain.

Q: What do students new to Music Ensemble need to learn?

A: They need to start listening to each other. It is self awareness and it's being aware of other people, and doing that thing Miles Davis said where everybody pushes and pulls each other. If somebody's lagging behind, it may be because they are having a hard time with a song, so the band has to tune into it, be a team, and slow down a little bit. You can get on them afterwards, like "why were you playing that so slow," but [during] a performance you support your team. But also, it may be, as they get the hang of it, somebody wants to pull the song back, and that sets the mood. Maybe someone wants to push it a little bit, but that's how musicians interact with each other.

Q: What is the most important thing you see your students do in Music Ensemble?

A: All the brain development that goes on after they learn the basics of working in a group, then to listen to each other, and then to get into it [with each other]. What I know as a performer and an entertainer is if you only have one person or 10000 people watching you, if the audience sees that [members of the band are] just up there doing [their] individual jobs, it's going to be apparent to the audience. And even if [the music] is in tune and played well, it doesn’t come together. There is a gestalt that happens when you are into your music, and I think thats the hardest thing to teach the kids to do, because at this age, kids get freaked out when they think people are watching them, and you know what I've learned from sports, it's not their parents watching them. It's their peers. That’s one of their biggest challenges they have - to perform. They don’t want to be awkward, they don’t want to play badly, they don’t want to seem stiff in front of their friends ... which actually, usually causes them to stiffen up.

Q: And where they are as adolescents, that’s an important factor to them, is what their peers think of them?

A: It is at the top of the list according to the best brain research and social and emotional research we have. They literally feel like they're going to die when they're not around their friends. So when their friends are in front of them, they cannot “mess up” in front of them. It's enormous pressure. That's a whole thing that doesn't even affect me. You know, I get nervous before I play, but once I start playing, I settle in. But these guys, that’s a real developmental thing for them to settle into that [and to learn to work through that pressure]. It will hopefully pay off when they get in front of people to present as an individual. Even if [these students] don't go on to be musicians, they will continue to feel comfortable ... presenting themselves, whether its for a college application, a job application, or giving a speech.

Q: As we wrap up our interview, do you have any final thoughts?

A: I am proud of fighting [for music and the arts] as an equal subject to math, science, and language, and I have teammates that have always supported me on that. Now I have a subject called Creative Labs which happens to be music, art, design, and anything like that, but that’s where the 21^st century skills are going ... Every day you're getting music and every day you're getting art, which is what the [students] get here. It is equal across the board, but it does take a team that supports that and realizes that. I think that's something vitally different that we do here at Greensboro Montessori School.